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PIN–UP HOME
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MOMA’S DEEP DIVE IN THE ARCHITECTURE OF POST-COLONIAL NATION BUILDING
by Suleman Anaya
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DILLER SCOFIDIO + RENFRO’s FIRST HOME IN THE HAMPTONS
by Whitney Mallett
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FIVE YEARS OF THE WORLD AROUND
by PIN–UP
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ANONYMOUS CLUB’S NEW WORLD BUILDING
by Rachel Hahn
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ON MOMA’S “EMERGING ECOLOGIES” EXHIBITION
by Ricky Ruihong Li
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A Performa Gala Dinner
by Whitney Mallett
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THE ART OF MEMORY: BEATRICE BONINO AT JACQUELINE SULLIVAN GALLERY
by Emma Leigh Macdonald
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META MEMPHIS: THE LITTLE KNOWN STORY OF MEMPHIS’S SECOND COMING
by Alec Recinos
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VOLKSHAUS: HERZOG & DE MEURON’S BASEL HOTEL FOR EVERYONE
by Andrew Ayers
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ARCUS (SHADOW OF A RAINBOW)
by Nolan Boomer
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PIN–UP HOME X GRAU PRESENT: SALT “LEAF” EDITION
by PIN–UP HOME
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AMERICAN OBJECTS 1776–1945
by Camille Okhio
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MOLTENI&C
by Julie Klein
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GUCCI GOES HOMEWARE
by Julie Klein
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IN PRAISE OF SHADOWS: PAOLA JOSE WANTS US TO RECONNECT WITH DARKNESS
by Evan Moffitt
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FRESH TIME PIECES
by Brynn Wallner, Bela Borsodi
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The artful rebirth of lighting giant Grau
by Drew Zeiba
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AGAINST ENVIRONMENT: GUSTAV METZGER'S DAMAGED NATURE
by India Ennenga
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IMPRESSIONS FROM A DAY WITH NOT VITAL
by Adam Charlap Hyman
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STATEMENT JEWELRY’S RAW APPEAL
by Bela Borsodi
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SOAP ON A ROPE BY SHAYNE OLIVER FOR PIN–UP HOME
by PIN–UP HOME
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MIXED SIGNALS: ON LAURA KURGAN’S YOU ARE HERE: INFORMATION DRIFT
by Nadine Fattaleh
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FROM THE HEART: CUORE OPENS AT THE TRIENNALE MILANO
by Andrew Ayers
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CONTESTED LANDSCAPES
by Andrew Pasquier
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THE STORY OF SUPERHOUSE, STEPHEN MARKOS'S CHINATOWN GALLERY FOR CONTEMPORARY DESIGN
by Hayley J. Clark
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The Malibu Estate of Mr. and Mrs. Eric Lloyd Wright
by David van der Leer
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FREDDY MAMANI’S CHOLET CULTURE
by Thom Bettridge, Jonathan Castro
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HANDS-ON HISTORIES IN OSLO PROVOKE THE QUESTION: WHAT SHOULD A TRIENNALE BE?
by Whitney Mallett
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SAINT HERON’S NEW DESIGN FRONTIER
by Keegan Brady
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ARE OUTSIDER ARTISTS THE STARCHITECTS OF THE INSTAGRAM AGE?
by Andrew Pasquier
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ALCOVA, ETC.: MILAN BEYOND THE FAIR
by Billie Muraben
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ON THE SCENE AT THE 2023 VENICE ARCHITECTURE BIENNALE
by Andrew Pasquier
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FAYE TOOGOOD’S GAME OF SQUASH
by Julie Klein
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KINGDOM OF THE ILL: A MUSEUM AND ITS IDENTITY CRISIS
by Philipp Hindahl
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SELLDORF’S NEW LOOK FOR SAN DIEGO’S MUSEUM OF CONTEMPORARY ART
by Whitney Mallett
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IMPRESSIONS FROM THE CHICAGO ARCHITECTURE BIENNIAL
by Suleman Anaya
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INDECENT EXPOSURE: THE AESTHETICS OF SEXUAL DESIRE
by Liara Roux
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LEGACY BOT: HAJIME SORAYAMA ON GOD, FEMBOTS, AND INDUSTRIAL DESIGN
by YJ Lee
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BAXTER’S NEW HOTEL ON THE SHORES OF LAKE COMO
by Vivien Lee
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NEW WAVE: A VIRTUAL EXHIBITION
by Alexander May
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BODY AND DRESS UNITED: SCAD FASH PRESENTS CRISTÓBAL BALENCIAGA
by Keegan Brady
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LUKE LIBERA MOORE’S GOD-CHUNK : CHRONO-PLEX
by Joey Yan
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FRONT TRIENNIAL 2022: TOWARDS A NEW DISCO
by Alexandra Cunningham Cameron
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ANNA UDDENBERG’S ECONOMY PLUS
by Drew Zeiba
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AT SIZED IN LOS ANGELES, VESSELS IS A METAPHOR
by Emily R. Pellerin
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ON THE 2023/24 SHARJAH ARCHITECTURE TRIENNIAL
by Andrew Pasquier
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Miguel Milà, Modest Master
by Andrew Ayers
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MAYRIT BIENNIAL 2022: BEATING AGAINST THE CURRENT
by Andrew Ayers
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LOVE FROM THE GROUND UP: ORGANIC ARCHITECTURE AND MEXICAN DESIGN
by Keegan Brady
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THE LA HOTEL FOR GEMINIS: INSIDE THE MOXY & AC
by Keegan Brady
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THE ARCO LIGHT TURNS 60
by Felix Burrichter
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DESIGN DRAFTS #2
by PIN–UP
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Review of Matter and Shape Design Salon in Paris
by Billie Muraben
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A RETURN TO HOME-GROWN TALENT: MADRID DESIGN FESTIVAL 2023
by Andrew Ayers
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AN EXHIBITION CELEBRATES ZAHA HADID’S FIRST BUILD IN THE U.S.
by Joey Yan
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PUTTING THINGS TOGETHER: THE ART OF DE PADOVA
by Julie Klein
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GLASSWARE THAT WILL TURN THE TABLES
by Luke Libera Moore
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MONTREAL’S CANADIAN CENTRE FOR ARCHITECTURE PREMIERES GROUNDWORK
by Andrew Ayers
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A NEW ERA FOR CHEEKY DESIGN BRAND BD BARCELONA
by Rachel Hahn
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PURITANICAL THRIFT MEETS PROGRESSIVE IDEAS ON CAPE COD’S EXPERIMENTAL ARCHITECTURE
by Rachel Hahn
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BUILDING COOL BRITANNIA
by Colin Keays
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BLOOD TYPE: DOZIE KANU’S INHABITABLE INSTALLATION
by Emma Leigh Macdonald
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DUTCH DUO FREELING WATERS BREATHES NEW LIFE INTO CLASSIC VERNACULAR
by Emmett Byrne
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DIOR’S ART-FILLED FASHION FANTASY
by Philippe Jarrigeon
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MATERIAL WORLD
by Felix Burrichter
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SCULPTURE VULTURE
by Rachel Hahn
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CFGNY DISSECTS IDENTITY AND LUXURY FOR THEIR ITALIAN DEBUT
by Drew Zeiba
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PIN–UP HOME DS-2011 HARLEQUIN, A NEW SOFA EDITION WITH DE SEDE
by PIN–UP HOME
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THE PURE AESTHETIC PRESENCE OF SEOUL-BASED CAVA LIFE
by Elaine Lee
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A BRIEF HISTORY OF FORTUNY
by Emmanuel Olunkwa
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REEVALUATING ALDO ROSSI’S POSTMODERN VISION
by Alessandro Bava
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SPECIAL EDITION PIN–UP 36: UNDER CONSTRUCTION
by PIN–UP
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THE RETURN OF THE BAMBOLE
by Grace Ahlbom
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BOCCI’S OMER ARBEL’S FORAY INTO ARCHITECTURE
by Ian Volner
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UNREAL ARCHITECTURES: ON THE ARCHITECTURE OF GAMESPACE
by Alice Bucknell
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FOUNTAINEERING WITH SOFT BAROQUE
by Billie Muraben
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A SEX PAVILION FOR MADONNA
by Taylore Scarabelli
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URBAN JUNGLE GYM WITH SCAFFOLDING
by Frank Nesbitt
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CELINE’S RETAIL GESAMTKUNSTWERK
by Rachel Hahn
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A DEEP DIVE INTO THE ARCHITECTURE-BODY DISCOURSE
by Drew Zeiba
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OZWALD BOATENG BRINGS AN EXPERT TAILOR’S EYE TO POLTRONA FRAU
by PIN–UP
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INTRODUCING THE MUSEUM ISSUE
by PIN–UP
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LUSH TROPES: REEVALUATING TROPICAL ARCHITECTURE
by Alfonse Chiu
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FARAH AL QASIMI’S LAST SLEEPOVER
by Shumon Basar
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THE OFFICE OF GOOD INTENTIONS
by Pierre Alexandre de Looz
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CUIR ARCHITECTURE: QUEER VOICES FROM LATIN AMERICA
by Michael Andrés Forero Parra
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CONTROVERSY AND COLONIALISM: A SURVEY OF GERMAN EXHIBITIONS FROM BERLIN TO MUNICH
by Samantha Ozer
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FORMAFANTASMA TURNS TO ANCIENT MATTRESS MAKING FOR TACCHINI
by Julie Klein
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TASHKENT MODERNISM: THE INVENTION OF THE SOVIET EAST
by Philipp Hindahl
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HOPE AND THE URUHIMBI: A RWANDAN FABLE ON SACRED SPACE
by Angela U. Shyaka
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RAF SIMONS ON ART, OBJECTS, AND SHAKER ETHICS
by Federico Sargentone
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EXPLORING THE WATER WORLD OF RACHEL CARSON
by Rachel Hahn
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LUNAR ECLIPSE: THE PAST AND FUTURE OF ART AMUSEMENT PARK LUNA LUNA
by Ian Volner
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IC LIGHT: Michael Anastassiades’s Modern Classic Celebrates Ten Years
by Felix Burrichter
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BLANKET STATEMENTS
by Adrianna Glaviano
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THE TIFFANY TOUCH
by Luke Libera Moore
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L.A.’S NEW OLYMPIC FRONTIER
by Luis Ortega Govela
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CESAR MANRIQUE AND THE MIND-BOGGLING LANDSCAPE OF LANZAROTE
by MAIO Architects
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HOMEBODY
by Whitney Mallett
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THE NEW IMAGE OF SOLAR ENERGY, FROM TARIFFS AND TESLA TO AKON AND BIG BROTHER
by Whitney Mallett
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GRAFFITI, GHOSTS, HORSES: ON CHARLIE MAI’S DEBUT SOLO EXHIBIT
by Skylar Hauge
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SOPHIE TAEUBER-ARP’S JOYOUS ABSTRACTIONS
by Alexander McMillan
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PIN–UP 31, RADICAL OPTIMISM‽: LETTER FROM THE EDITORS
by PIN–UP
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UMBERTO RIVA’S ARTFUL SWANSONG IN ROME
by David Plaisant
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KAYODE OJO’S SPIRITUAL READYMADES
by Keegan Brady
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ARE BUSH-ERA STARTER CASTLES BOUND FOR A COMEBACK?
by Colleen Kelsey
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THE CASINO AS THE PURGATORIAL ARENA OF AMERICAN CINEMA
by Philippa Snow
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DINNER PARTY: THE CHAOTIC ALCHEMY OF SUNNEI
by Federico Sargentone
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PIN–UP 32, THE ARCHITECTURE OF ART: LETTER FROM THE EDITOR
by PIN–UP
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THE LANDSCAPE ARCHITECTURE OF JAMES ROSE
by Joseph Magliaro
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Bolivia’s Cholet Culture caught between the World’s Leading Economic Forces
by Ellie Glass
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RECONSTRUCTING UKRAINIAN CULTURAL IDENTITY WITH PHANTOM MUSEUMS
by Daša Anosova
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MEET THE ARTIST SISSEL TOLAAS, EXPERT ON SMELL
by Whitney Mallett
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THE TOGO SOFA TURNS 50
by Rachel Hahn, Philippe Jarrigeon
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PHILIPPE MALOUIN CREATES HIS FIRST LAMP FOR FLOS
by Nicholas Korody
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INSIDE THE SARGADELOS PORCELAIN FACTORY, THE DESIGN WORLD’S BEST-KEPT SECRET
by Miguel Leiro, Daniel Jordán Pompa, Adela Rodríguez
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THE DESIGN ALPHABET
by Travis Scott
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PIERLUIGI CERRI’S 80S SHOWPIECE HAS LOST NONE OF ITS EDGE
by Julie Klein
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PIPPA GARNER’S WACKY PACKAGE
by Michelle Millar Fisher
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TWO ROBBERS, THREE BROTHERS, AND ALEX DA CORTE
by Andrew Pasquier
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BEHIND THE SCENES IN THE MOLTENI ARCHIVE
by Emma Leigh Macdonald
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BOTTEGA VENETA LETS SPIRITS SPEAK AT LINA BO BARDI’S GLASS HOUSE
by Laura Serejo Genes
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ARTEK GIVES ALVAR AALTO'S CLASSIC STOOL A SUBTLE MAKEOVER
by Julie Klein
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99 NAMES OF GOD: THE MISBAHA AS A DESIGN OBJECT
by Ibrahim Kombarji
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NIÑOS HÉROES EXHIBITION AT AGO PROJECTS IN MEXICO CITY
by Bella Luna
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FORMAFANTASMA AND QUADRO REINVENT THE OUTDOOR SHOWER
by Emma Leigh Macdonald
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ADAM PENDLETON’S GAMBIT
by Alec Recinos
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FLORAL FIXATION: DESIGN IS REDISCOVERING FLOWER PRINTS
by Drew Zeiba
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ROGER BROWN’S AMERICAN VERNACULAR
by Jake Brodsky
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DOOR CODE
by Julie Klein
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FAITH, PLACE AND CHANCE: ROSE SALANE’S LOST OBJECTS FILL IN THE GAPS OF HISTORY
by Samantha Ozer
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THE BARBIE DREAMHOUSE
by Felix Burrichter, Whitney Mallett
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A TRIBUTE TO VIRGIL ABLOH BY JAMES WINES
by James Wines
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75 YEARS AGAINST MODERNISM: ISA GENZKEN IN BERLIN
by Drew Zeiba
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ERUPTIONS OF THE STRANGE: ON DAVID LYNCH’S LAMPS
by Brecht Wright Gander
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ARTIST VERONICA GAIDO’S VISION OF THE CITY
by Julie Klein
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AN ABBREVIATED HISTORY OF DOMICIDE
by India Ennenga
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INFINIMENT COTY PARIS: A STORY OF TIME AND SPACE
by Whitney Mallett, Philippe Jarrigeon
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SAN DIEGO, AN AMERICAN EDGE CASE
by Nicholas Alan Cope
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ROMAINE LETTUCE, E. COLI, AND THE ARIZONA DESERT’S ALL-AMERICAN CANAL
by Ben Goldner
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DETROIT BAROQUE: ON CHRIS SCHANCK’S CORRODED MAJESTY
by Brecht Wright Gander
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SHELLS AND SKINS: THE BODY IS A HOME AT DEL VAZ PROJECTS
by Samantha Ozer
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LIMBO ACCRA’S CONSTRUCTIVE RUINS
by Angel Harvey-Ideozu
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SICK ARCHITECTURE AND THE SPATIAL POLITICS OF DISEASE
by Andrew Ayers
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WATCH IT
by Brynn Wallner, Bela Borsodi
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THE MOVIE PLEASURE AND THE DESIGN AND ARCHITECTURE OF PORN SETS
by Philippa Snow