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New York 1980: Thierry Mugler Style

By Joe Disponzio

What Artist Brie Ruais Knows – And Still Doesn’t Know – About Being in a Body

By Emily R. Pellerin

TOXIC POSITIVITY: The Optimism Bubbles of Tech’s New Pioneers

By Drew Zeiba

OBJECTS II: Sunnei’s Second Collection of Homegoods

By Julie Klein

 THE WORLD AROUND 2022: Tadao Ando, Miriam Hillawi Abraham, Ursula Biemann, and Many More

By PIN–UP

A Treasure of Berlin Brutalism on the Brink of a Transhumanist Future

By Philipp Hindahl

RICARDO BOFILL: Architecture’s Dazzling Chameleon Reveals His Many Colors

By Felix Burrichter

INTERVIEW: Artist Sadie Barnette on Swagger, Surveillance, and Sofas from the Future

By Mimi Zeiger

SPECIAL BOND: Interview with Noam DVIR and Daniel Rauchwerger

By Michael Bullock

COSMIC HOUSE: A Visual Journey of a Future Past

By Alice Bucknell

ARGO FACTORY: Tehran’s First Contemporary Art Museum Since the Revolution

By Ian Volner

SWEET SUBVERSIONS: DIS Curates the Biennale de l’Image en Mouvement in Geneva

By Drew Zeiba

INTERVIEW: Eugene Tssui, Architect, Fashion Designer, Gymnast, and Energy Warrior

By Nolan Boomer

Toilet Paper Holders Are Given an Art and Design Makeover in Chinatown

By Keegan Brady

INTERVIEW: Isaac Julien on Architecture and Performance

By Travis Diehl

THE OTHER BARRAGÁN: An Exclusive Victor Barragán PIN–UP Portfolio

By Michael Bullock

SO RATTAN: New Ways of Having Fun with One of Humanity’s Oldest Materials

By Camille Okhio

JUNKYARD EMPIRE: Philippe Malouin Makes Furniture from Scavenged Steel

By Drew Zeiba

Mind the Snake: Elmgreen and Dragset’s Dystopian Debut at Pace Gallery

By Osman Can Yerebakan

TRADE CENTER: A Documentary About 9/11 and the End of Gay Cruising in Downtown New York

By Michael Bullock

INTERVIEW: GAETANO PESCE, THE ICON

By Emmanuel Olunkwa

TENSION RELEASE: Flos Celebrates 50 Years of Iconic Parentesi Light

By Dan Rubinstein

RAZZLE DAZZLE: Gogo Graham Revives 1940s Broadway Costumes with Maharam

By Sharifa Morris

INTERVIEW: 80s Scene Queen Colleen Weinstein On Designing Nightclub Fantasies

By Whitney Mallett

FASHION MONTH FINALE: Entertainment Takes Center Stage

By Taylore Scarabelli

DATA RECOVERY: Digital Archiving And Obsolescence

By Drew Zeiba

MILAN UNDERGROUND: Objects Tour The European Capital of Design’s Iconic Subway

By Francesco Nazardo

LAST CALL: Is Christo and Jeanne-Claude’s Wrapped Arc a Triumph?

By Andrew Ayers

SYMPHONY MAJOR: Sean Desiree’s Interactive Sculpture Counters Classical Music’s Exclusion

By Tash Nikol

INTERVIEW: Design Studio Formafantasma On Their Material Investigations And Return To Italy

By Hans Ulrich Obrist

EXQUISITE BOURGEOISIE: The Romance Of Disenchantment In The Homes Of Milan’s Creative Class

By Federico Sargentone

GIO PONTI: 15 Picks From The Prolific Italian Designer’s Archive

By Karl Kolbitz

CINI BOERI’S ANTI MANIFESTO: “The Human Dimensions Of The House” For The First Time In English

By Alessandro Bava

INTERVIEW: Artist Ângela Ferreira Examines Modern Architecture And Colonialism

By Kojo Abudu

LIBERTÉ EGALITÉ UPHOLSTERY: 15 Reasons Ligne Roset Rules Seating

By PIN–UP

PACIFIC THYME: Kelly Wearstler and Ron Finley Marry Design With Urban Gardening

By Whitney Mallett

ANCIENT ALIENS: What The Acámbaro Hoax Says About Mexican Identity

By Mario Ballesteros

VIDEO: Caribbean Architecture Explored Through its Own Material History

By Sucking Salt

HIBERNIA BANK: How A Beaux-Arts Building Became Witness To San Francisco’s Highs And Lows

By Ted Barrow

RETAIL APOCALYPSE: BEST Big Box Stores Designed by James Wines Of SITE

By Fredi Fischli and Niels Olsen

RETAIL APOCALYPSE: Dominique Gonzalez-Foerster and Nicolas Ghesquière (2002–12)

By Fredi Fischli and Niels Olsen

RETAIL APOCALYPSE: Anne Holtrop’s Maison Margiela Couture Shows And Shop Interiors

By Fredi Fischli and Niels Olsen

RETAIL APOCALYPSE: Chilean Architect Smiljan Radić’s Concepts For Céline And Alexander McQueen

By Fredi Fischli and Niels Olsen

INTERVIEW: Carmen D’Apollonio On The Beauty of Clay and Designing To Make People Laugh

By Camille Okhio

30 OBJECTS: A Survey Show To Define Design In The First Two Decades Of The 21st Century

By PIN–UP

VIDEO: The 30 Objects That Defined The Past 20 Years

By Tiffany Lambert

BOOK CLUB: Race and Modern Architecture Confronts The Legacy Of White Supremacy

By Janelle Zara

MAISON RELOADED: Balenciaga Reinvents Its Paris HAUTE Couture HQ

By Natasha Stagg

15 YEARS, 30 COVERS: The Ultimate PIN–UP Legacy Sale

By PIN–UP

INTERVIEW: Manuela Soto Sosa On Her Anime-Inspired Home Drop And Maximalist Interior Design

By Whitney Mallett

VIDEO: Designer Ben Kelly’s Oral History of the Haçienda Nightclub

By Caroline Gaimari

NEW NEW YORK ARCHITECTS: Pascale Sablan, Founder of Beyond the Built Environment

By Drew Zeiba

NEW NEW YORK ARCHITECTS: Minjae Kim, Architect And Furniture Designer

By Drew Zeiba

NEW NEW YORK ARCHITECTS: Interview With Nile Greenberg And Michael Abel Of ANY

By Drew Zeiba

NEW NEW YORK ARCHITECTS: Interview With Aya Maceda And James Carse Of ALAO

By Drew Zeiba

NEW NEW YORK ARCHITECTS: Interview With Andrea Chiney, Arianna Deane, And Ashely Kuo Of A+A+A

By Drew Zeiba

NEW NEW YORK ARCHITECTS: Interview With Cyril Marsollier And Wallo Villacorta

By Drew Zeiba

NEW NEW YORK ARCHITECTS: Interview With Tei Carpenter Of Agency—Agency

By Drew Zeiba

NEW NEW YORK ARCHITECTS: Sean Canty, Activist, Architect, Educator

By Drew Zeiba

UZBEK PAVILION CURATORS CHRIST & GANTENBEIN ON MAHALLAS AND THE FUTURE OF URBAN LIVING

By Natalia Torija Nieto

PIN–UP “LEGACY” ISSUE: LETTER FROM THE EDITOR

By PIN–UP

INTERVIEW: Graphic Designer, Artist, And Educator Sheila Levrant de Bretteville On Legacy

By Erin Knutson

In Search of a New Spatial Contract at the 2021 Venice Architecture Biennale

By Andrew Pasquier

BASIC INSTINCTS: How Instagram Is Changing The Way We Decorate Our Homes

By Taylore Scarabelli

INTERVIEW: Artist And Writer Aria Dean On Irony, Legacy, and her Interest in Postmodern Architecture

By Becky Akinyode

AGENTS PROVOCATEURS: Applied Arts Is Redefining The Concept Of A Creative Agency

By Marco Estrella

INTERVIEW: BOFFO Founder Faris Al-Shathir on 10 Years of Diversity and Art in Fire Island

By Evan Moffitt

SUN CITY: The Mannerist Devotional Flair of Soft Baroque’s First Solo Exhibition in Milan

By Alice Bucknell

INTERVIEW: Sophia Al-Maria, Self-described Time Traveler with a Starchitect-Centered Screenplay on the Way

By Hans Ulrich Obrist

Material Promiscuity: Objects USA and the Evolution of American Craft

By Jesse Dorris

CRAWL SPACE: The Grimey American Dream of Kristen Wentrcek And Andrew Zebulon

By Paige Silveria

DIVORCE BY DESIGN: Speculating On The Future Of The Kardashian-Wests’ Minimalist Mansion

By Philippa Snow

INTERVIEW: Nargis and Nasir Kassamali’s Faith in Design as a Language

By Felix Burrichter

INTERVIEW: Ibiye Camp On Her Hyrbid Practice Materializing Data And Mapping Public Space

By Jareh Das

BOOK CLUB: Beatrice Galilee’s Anthology Of Radical Architecture

By Natalia Torija Nieto

INTERVIEW: Curator Alia Farid On The Space Between Classrooms And New Types Of Learning

By Drew Zeiba

“TAN,” An Installation by Soft Baroque Presented by PIN–UP and Marsell

By PIN–UP

HOT SPOTS: Accessibility And Design From Gender-Neutral Bathroom To Anti-Homeless Architecture

By Jesse Dorris

INTERVIEW: Artist-Anthropologist Maya Stovall On Detroit Urbanism And Liquor Store Theatre

By Alice Bucknell

INSIDE THE BUBBLE: A Eulogy For Instagram, Inflatables, And The Innocence Of The 2010s

By Jesse Seegers

INTERVIEW: Maria Cristina Didero And Jorge Penades On Curating Curators

By Natalia Torija Nieto

Alice Bucknell On E-Z Kryptobuild, Her Fictional Ponzi Scheme Selling Architecture For The Apocalypse

By Drew Zeiba

FORMULA ONE AND ARCHITECTURE: On Ingenuity, Engineering, And Processing Environmental Data

By Oluwatobiloba Ajayi

GET SMART: Will 5G-Powered Cities Mean More Intelligent Design Or Just A Data Dump?

By Drew Zeiba

ATLANTIS RISING: Ellex Swavoni’s Sci-Fi Monument To Atlanta’s Black Heroines

By Tash Nikol

TOTAL SPACE: A Disorienting Exhibition For Disorienting Times

By Alice Bucknell

INTERVIEW: Artist David Hartt Discusses Place, Race, and Black Authorship

By Felix Burrichter

EDIBLE ARRANGEMENTS: How Fruit And Food Packaging Inspire Jonathan Trayte’s Sculptural Furniture

By Brecht Wright Gander

INTERVIEW: Xu Tiantian Is Revitalizing China’s Countryside Through Architectural Acupuncture

By Beatrice Galilee

GET OUT: A Swan Song to Trump’s Aesthetic of Trickle Down Mediocrity

By Ted Barrow

Black Reconstruction Collective: A MANIFESTING STATEMENT

By Black Reconstruction Collective

RECONSTRUCTIONS PORTRAIT: Walter Hood on New Black Futures

By David Hartt

RECONSTRUCTIONS PORTRAIT: Felecia Davis on Reconstructing Technology

By David Hartt

BONNETCORE: Designer Katie Stout Curates A Selection Of Shaker Craft

By Camille Okhio

INTERVIEW: Artist Kandis Williams Is Giving History A Hard Read

By Chloe Wayne and Mahfuz Sultan

BRAND SUPREMACY: How Supreme Turns Accessories Into Sought After Collectibles

By Taylore Scarabelli

RECONSTRUCTIONS PORTRAIT: Amanda Williams on the Possibility of Free Space

By David Hartt