Francesco Binfaré, Grande Soffice sofa. Photography by Margaux Esclapez for PIN–UP 40.
In the world of Italian design, the dominant mythology is still largely shaped by Brianza, the region north of Milan where generations of cabinetmakers, upholsterers, and manufacturers have helped define the canon of modern domestic design: refined, rigorous, elegant, and usually a touch restrained. Edra, despite its strong presence in Milan, is from Tuscany, which in the Italian cultural microcosm might as well be another planet — and it shows. Edra’s power lies in going all in, with more emotion, more imagination, but crucially also with extraordinary comfort in mind, and a strong commitment to craftsmanship, with all products made in Perignano, near Pisa. Calling itself a “dream factory,” Edra has, since its founding in 1987, seen founders and siblings Monica and Valerio Mazzei push the creativity of their collaborators to places that probably even the designers themselves didn’t think possible. One of Edra’s earliest projects was Zaha Hadid’s first-ever furniture collection in 1988 — a sign of the taste for the avant-garde that would shape the company’s trajectory for nearly 40 years to come.
Francesco Binfaré, Standalto sofa. Photography by Margaux Esclapez for PIN–UP 40.
That experimental spirit is matched by technical innovation: Edra holds two important patents, for the bendable Smart Cushion and Gellyfoam®, a proprietary upholstery material that has become central to the brand’s idea of comfort. Edra produces a whole range of furniture typologies, but it is best known for sofas, although in Edra’s case the word almost feels too modest. The Campana Brothers’ Vermelha and Boa, and Francesco Binfaré’s Standard and On the Rocks, are not merely upholstered seating systems but land-scapes for living: islands, archipelagos, or soft topographies that invite sprawling, reclining, gathering, or drifting. Comfort is always central, but never in a banal sense, and always inseparable from fantasy. And while Edra is a laboratory for new ideas and experimentation, it has also always had a passion for the past. The brand’s name itself is inspired by “exedra,” the Greek and Roman room for conversation. That dialogue continues today, from Palazzo Durini, its Milan headquarters, to its longstanding engagement with institutions like La Scala. For this story, we brought some of those instincts together, working with a dancer from La Scala to animate the Via Durini showroom through movement, gesture, and performance.
Francesco Binfaré, Standard sofa. Photography by Margaux Esclapez for PIN–UP 40.
Francesco Binfaré, Grande Soffice sofa. Photography by Margaux Esclapez for PIN–UP 40.
Francesco Binfaré, Pack sofa. Photography by Margaux Esclapez for PIN–UP 40.
Fernando and Humberto Campana, Boa sofa. Photgraphy by Margaux Esclapez for PIN–UP 40.
Francesco Binfaré, Flap sofa. Photography by Margaux Esclapez for PIN–UP 40.
Francesco Binfaré, Flap sofa. Photography by Margaux Esclapez for PIN–UP 40.
Francesco Binfaré, On The Rocks sofa. Photography by Margaux Esclapez for PIN–UP 40.
Mario Cananzi and Roberto Semprini, Tatlin sofa. Photography by Margaux Esclapez for PIN–UP 40.
Edra: Comfort Renaissance, available in PIN–UP 40, Spring Summer 2026. On the cover, Mario Cananzi and Roberto Semprini's Tatlin sofa. Photography by Margaux Esclapez for PIN–UP 40.